To new beginnings, friends. And this is only the beginning. If and when you watch, tell us your favorite scene in the comments below. “Now if you excuse me, I’m gonna go home and have a heart attack.”
(Update: 10/14/24 @12:30pm EST – (Sync correction made for part 2/2). Avoid Bluetooth audio – it lags.
–Experience Film
Continue reading “FACE/OFF is *HERE*”
“One or two frames off is the difference between clunky-clumsy crap and orgasmic rhythm.” -Quentin Tarantino.
The ‘bugs’ EF is encountering in the final render, border on the paranormal – they’re so insidious, so maddening.
Continue reading “Hanzō’s Curse”
Final (4k) render is happening as we speak. Face/Off was finished under “least-ideal” conditions because of a recent family emergency that thrust EF into the role of full-time caretaker for my sister who has special needs.
Continue reading “ON TIME”
Every once in a while your lost mind stumbles on a relic that needs to be shared immediately. This is one of those relics. “It belongs in a museum!”
“You never really understand a person until you consider things from (her) point of view.” -To Kill A Mockingbird
Continue reading “Baby Doll”
And now, a sneak preview of Experience Film’s biggest, baddest project since A Dark Night (2022). Just in time for my birthday (10/02). Although I feel this story has more Scorpio energy. Earthlings can’t always wait around for the stars to align, can we?
Continue reading “Face/Off First Look”
“It’s going to get weirder and weirder and weirder, and finally it’s going to get so weird that people are going to have to talk about how weird it is.” -Terrence McKenna
Continue reading “Liar Liar”
After a week-long boss battle and several all-nighters, EF is excited to inform you… Bowser is on the run! Hardest part over with.
Continue reading “Face/Off Sneak Peek (10/01)”
Well into an endgame of this edit. But as you may know from chess, this third period of the game often lasts much longer than the others.
Continue reading “The Final Boss”
Of the (now) 50 movies in this montage (Due out Oct. 11), Kill Bill (2003) and Sucker Punch (2011) merely contain the plot. Which, as my second “Intro To Screenwriting” instructor once told me, is “kinda important.”
Continue reading “Punch Bill”
Experience Film 